
The Two Sides of a Coin
Concept & Style
A hybrid between cinema and theatre, the project is staged almost like a live psychological performance rather than a traditional short movie. The atmosphere, pacing, and visual language are heavily inspired by Stanley Kubrick’s vision: long takes, controlled framing, and a slow-burn tension that builds through silence and body movement rather than jump scares.
Narrative
The story follows a protagonist who encounters a darker, mirrored version of himself. The film explores identity, duality, and the internal struggle between self-destruction and self-awareness.
Creative Role
Except for the acting (performed by classmate), every aspect: script, storyboard, cinematography, sound recording, editing, VFX, and color grading, was developed by me.
Technical Notes
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Shot with a minimal setup for a raw, theatrical feel
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Uses lighting contrasts and symmetrical compositions reminiscent of Kubrick
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Emphasis on physical acting and stage-like blocking
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Sound design built to enhance psychological tension
some behind the scenes of the short movie
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